The Folger Spotlight

What's On at the Folger

Louis Butelli: Mary Stuart Preview

Hello again from your pal Louis Butelli. On behalf of Folger Theatre, I wanted to thank you once again for reading these missives, and for coming along to see our recently-closed production of Julius Caesar. We had an absolute blast putting it all together and sharing it with you. Winter is now officially upon us… Continue Reading »


Louis Butelli: “This Parting Was Well Made”

Hello again from your pal Louis Butelli. Our run of Julius Caesar at Folger Theatre came to an end this past Sunday, and I wanted to write one last post to thank you for coming to see us, if you did, and to thank you for reading, if you are. In all, we played 49 performances,… Continue Reading »


#TBT Flashback: Folger’s Julius Caesar

There are just four more days to catch Julius Caesar at the Folger, as we are leaving Rome on December 7. You’ve already read Louis Butelli’s thoughts on returning to the Folger as Cassius after performing the part here in 2000, so we’ve done some digging in our archives to give you a peek on this Throwback Thursday to that… Continue Reading »


Louis Butelli: “This Our Lofty Scene”

Hello again from your pal Louis Butelli, currently playing Cassius in Folger Theatre’s Julius Caesar. We’re in the home stretch: we must close on December 7. Come on down and see us!  One of the fascinating things about performing in a long run of a play by William Shakespeare is the way the play continues to… Continue Reading »


Louis Butelli: “Come, Cassius’ Sword”

By your leave, gods:—this is a Roman’s part Come, Cassius’ sword –Julius Caesar, V.ii.100  One of the great challenges of playing Cassius in Folger Theatre’s production of Julius Caesar is (spoiler alert!) committing suicide on-stage eight times a week. In terms of the knife work, it isn’t a technically complex move. Casey Kaleba, our production’s… Continue Reading »


Louis Butelli: Julius Caesar, Memory, and John Green

Hi again from your pal Louis Butelli. Here at Folger Theatre, we are coming to the end of our rehearsal period for Robert Richmond’s production of Julius Caesar, and are preparing to enter technical rehearsals, lovingly known to theater practitioners as “tech.” I’ll say more about that at a later date. Meanwhile, our first preview… Continue Reading »