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Pericles Dramaturg’s Notes
Folger Spotlight

Pericles Dramaturg’s Notes

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Author
Michele Osherow

Folger Resident Dramaturg, Michele Osherow Pericles, Prince of Tyre is unusual among Shakespeare’s plays. The hero travels Odysseus-like from place to place on a fantastical quest to showcase honor, announce virtue, and dodge the fury of a perverse king. Pericles…

Pericles Production Photos
Folger Spotlight

Pericles Production Photos

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Author
Folger Theatre

Images from Pericles at the Oregon Shakespeare Festival.

The Year of Lear: Shakespeare in 1606
Folger Spotlight

The Year of Lear: Shakespeare in 1606

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Author
Katharine Pitt

The Year of Lear: Shakespeare in 1606 Author James Shapiro’s new book The Year of Lear: Shakespeare in 1606 considers the period when the playwright wrote three of his greatest tragedies, King Lear, Macbeth, and Antony and Cleopatra. Dr. Shapiro…

texts&beheadings/Elizabeth R Production Photos
Folger Spotlight

texts&beheadings/Elizabeth R Production Photos

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Author
Folger Theatre
texts&beheadings/ElizabethR: Elizabeth on Stage
Folger Spotlight

texts&beheadings/ElizabethR: Elizabeth on Stage

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Author
Katharine Pitt

Queen Elizabeth has a long history of appearing on stage at the Folger. She was recently played by Holly Twyford in last season’s Mary Stuart, by Michael Learned in 2003’s Elizabeth the Queen, and by an un-credited baby doll in the last moments…

Introducing texts&beheadings:ElizabethR
Folger Spotlight

Introducing texts&beheadings:ElizabethR

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Author
Katharine Pitt

The 2015/16 season at Folger Theatre kicks off with a special engagement of texts&beheadings/ElizabethR, which heads into rehearsal next week and we’re delighted to have the opportunity to host the world premiere of this new American play (we have more than one this…

Louis Butelli: Introducing Gravedigger’s Tale
Folger Spotlight

Louis Butelli: Introducing Gravedigger’s Tale

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Author
Louis Butelli

Louis Butelli Hello, dear readers of the Folger Production Diary! This is your friend Louis Butelli writing you once again. How’ve you been? The reason for this entry is to proudly announce a brand new collaboration between myself, director Robert…

Ian Merrill Peakes: Parting is Such Sweet Sorrow
Folger Spotlight

Ian Merrill Peakes: Parting is Such Sweet Sorrow

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Author
Ian Merrill Peakes

Ian Merrill Peakes Actor Ian Merrill Peakes (The Player) shares his final thoughts about the Folger Theatre production of Tom Stoppard’s Rosencrantz and Guildenstern are Dead.  Learn more about Ian at the Folger and read his previous posts.  We close Rosencrantz and Guildenstern Are Dead this…

Dramaturg's Notes: Rosencrantz and Guildenstern Are Dead
Folger Spotlight

Dramaturg's Notes: Rosencrantz and Guildenstern Are Dead

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Author
Michele Osherow

Folger Dramaturg Michele Osherow. Michele Osherow is the Folger Theatre’s Resident Dramaturg and has worked on over twenty productions here. She is an Associate Professor of English at the University of Maryland, Baltimore County. Her notes on the Folger’s production of…

Ian Merrill Peakes: Keeping It Real Over the Long Haul
Folger Spotlight

Ian Merrill Peakes: Keeping It Real Over the Long Haul

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Author
Ian Merrill Peakes

Ian Merrill Peakes Actor Ian Merrill Peakes (The Player) shares his thoughts on the Folger Theatre production of Tom Stoppard’s Rosencrantz and Guildenstern are Dead.  Learn more about Ian at the Folger and read his previous posts.  So in this business, we perform…

Gravedigger's Tale
Folger Spotlight

Gravedigger's Tale

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Author
Katharine Pitt

Gravedigger’s Tale is going on tour! Learn more and reserve for your organization today!   Gravedigger’s Tale is a new interactive one-man play based on Shakespeare’s Hamlet. The play, developed by director Robert Richmond (Folger Theatre’s Julius Caesar, Richard III, Henry V and more), features the Gravedigger, who…

Ian Merrill Peakes: R&G Previews and Opening
Folger Spotlight

Ian Merrill Peakes: R&G Previews and Opening

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Author
Ian Merrill Peakes

Ian Merrill Peakes. Rosencrantz and Guildenstern Are Dead is officially open! Did that last Monday, to a full house of totally engaged and laughing patrons. Opening nights are a funny thing. It used to be that I hoped for opening night to…

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