Folger Resident Dramaturg and UMBC Associate Professor of English Michele Osherow takes us inside Folger Theatre’s unique production to explore why Shakespeare’s romantic comedy is so perfectly suited to DC in the 1930s.
Posts By: Michele Osherow
Folger Resident Dramaturg Michele Osherow guides us through the world of Restoration theater and introduces us to the remarkable Nell Gwynn.
Folger Dramaturg Michele Osherow offers her insights on Theresa Rebeck’s new adaptation of Congreve’s The Way of the World.
There’s a fascination with dreams in Shakespeare, though Midsummer is the only play to announce one in its title. What’s odd is that aside from Hermia’s unnerving vision in the forest, no dreams are dreamt. Instead, we find characters confronting, exploring, and indulging imagination, testing conditions under which the imagined turns real. Key to Renaissance… Continue Reading »
Pericles, Prince of Tyre is unusual among Shakespeare’s plays. The hero travels Odysseus-like from place to place on a fantastical quest to showcase honor, announce virtue, and dodge the fury of a perverse king. Pericles is poised for success; his name is Greek for “far-famed.” But for this hero, the readiness is not all. Despite… Continue Reading »
Michele Osherow is the Folger Theatre’s Resident Dramaturg and has worked on over twenty productions here. She is an Associate Professor of English at the University of Maryland, Baltimore County. Her notes on the Folger’s production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead are below. Enjoy! Rosencrantz and Guildenstern are Dead (RosGuil) was written on a… Continue Reading »