With lights by Andrew F. Griffin and projections by Francesca Talenti, Tony Cisek’s striking scenic design for Timon of Athens has been wowing audiences since performances began on May 9. Folger Spotlight spoke to Cisek to find out more about his process and inspirations for creating Timon’s stunning look.
Posts Tagged: set design
Sense & Sensibility set designer John McDermott designed Bedlam’s Sense & Sensibility in New York and has designed over 100 productions in theaters around the country. Check out the first part of his reflections on the Folger’s Sense & Sensibility and read on to learn about about why designing this production made him feel like “a glittery vagabond”! FT: Where did you find the all the pieces you… Continue Reading »
Sense & Sensibility is set designer John McDermott’s first Folger production. He designed Bedlam’s Sense & Sensibility in New York and has designed over 100 productions in theaters around the country. You can learn more about John’s work and see photos of his previous designs on his website. Read on for his reflections on the Folger, “period-ish” design, and the world of Jane Austen…. Continue Reading »
Actor Ian Merrill Peakes (“The Player”) continues sharing his thoughts on the Folger Theatre production of Tom Stoppard’s Rosencrantz and Guildenstern are Dead. Learn more about Ian at the Folger and read his previous posts. I have done (and it’s true, I counted) 110 shows in my career, and out of all of those in only… Continue Reading »
The exhalations whizzing in the air / Give so much light that I may read by them (Julius Caesar, II.i.46-47) Today’s guest post comes from Jim Hunter, the lighting designer for Julius Caesar. Jim is a professor of theatrical design at the University of South Carolina as well as a professional designer. Jim and director Robert Richmond collaborated last year on… Continue Reading »
Upon walking into the Folger Theatre these days, one has the distinct impression that they’ve stumbled into a lush version of an M.C. Escher sketch. What’s more, it’s hard to tell where the theater ends and the stage begins. But this delightful disorientation is all of a design. A scenic design, to be exact, by Marion… Continue Reading »